One of the oldest and most famous depictions of the sexualized female body is The Venus of Willendorf. Dating back to 22,000 BCE, the Venus of Willendorf is a limestone carving about four inches high of a naked woman with oversized breasts, hips, belly, and vulva, tiny little arms and no feet. No one has any ideas what her purpose is. Having no feet, she can’t stand up, and she’s not flat so it doesn’t seem like she’s meant to be sitting on the prehistoric version of a knick-knack shelf. She’s carved from a type of limestone not local to the area she was discovered, and evidence suggests she was designed to be held and carried around. The Willendorf Venus was the first of many similar statuettes to have been discovered, all are a similar size, all feature prominent breasts, butts and vulvas.
Scientists and art historians love to argue about the purpose of these statues, now called the Venus Figurines, often with little evidence to support their theories. The generally accepted mainstream interpretation is that they are fertility symbols of some sort, or at least that’s what I learned in my college art history class, and I bet you did too. Continue reading